Relaxing music with soothing musical instruments, and a perfect mixture of relaxing beats. Can be used as Sleeping Music, Studying Music, Relaxing Music, Healing Music, Spa Music, Massage Music, Yoga Music, Stress Relief.
Calm, Quiet and Peaceful music thatll bring you into a Blissful state of peace and balance.
In my music I used 432 Hz which is based in nature and therefore it generates healthy effect and brings natural harmony and balance. The pure energy of 432 Hz removes mental block and opens a way to a more fulfilling life.
When life is hectic, all you need is a break and make yourself feel better by having some «breathing time» with some relaxing music.
So lean back, unwind and relax.
If you enjoyed my music I would be very happy if you will subscribe to my channel. www.youtube.com/channel/UCwU8FBrRiuNdmhq33UWfbBQ?sub_confirmation=1
One picture, fan-made video for the songs Arrival of the Birds and Transformation, originally performed by The Cinematic Orchestra and The London Metropolitan Orchestra, taken from the OST album Crimson Wings — Mystery of the Flamingos (2008). Enjoy!
I was busy with some movie soundtracks I liked and decided to share this on YouTube. Its a personal selection of emotional and relaxing songs from drama and epic movies. It can be used for relaxing, studying, reading, working or other personal intentions.
The most of the songs are very popular and well known as do their movies.
Casanova is maybe the «strange bird» in the selection because its more of a comedy than a drama, but it includes also some dramatic moments with an amazing and fitting soundtrack.
To be clear Im not quitting or changing my channels purpose. I will continue with making video games compilations. But sometimes by coincidence I make something different like now.
TO OWNERS OR COPYRIGHT HOLDERS: I do not own these songs or pictures all the songs and pictures belong to their composers and owners. Also I dont make any profit with these videos. I make these Just for my entertainment so other people can enjoy them. If there are any complains please contact me before taking everything/anything down and ruin the enjoyement of innocent people. If you explain me the problem I will do everything to solve it. Thank you in advance.
Songlist:
00:00 «Braveheart Theme Song» by James Horner (Braveheart)
03:38 «A Way of Life» by Hans Zimmer (The Last Samurai)
09:24 «Ibelin» by Harry Gregson-Williams (Kingdom of Heaven)
11:31 «The Breaking of the Fellowship» by Howard Shore (The Lord of the Rings: The Fellowship of the Ring)
18:53 «Adagio from Concerto Grosso Op. 6, No. 8 in G Minor» (Master and Commander: The Farside of the World)
20:48 «London» by James Newton Howard (Blood Diamond)
23:27 «S.T.A.Y» by Hans Zimmer (Interstellar)
27:18 «Corynorhinus» by Hans Zimmer (Batman Begins)
30:34 «One Day» by Hans Zimmer (Pirates of the Caribbean: At Worlds End)
33:02 «A Hard Teacher» by Hans Zimmer (The Last Samurai)
38:45 «Now We Are Free» by Hans Zimmer and Lisa Gerrard (Gladiator)
42:58 «The Sacrifice of Faramir» by Howard Shore and Billy Boyd (The Lord of the Rings: The Return of the King)
47:05 «Journey to the Line» by Hans Zimmer (The Thin Red Line)
56:28 «The Hanging» by Vivaldi (Casanova)
58:56 «Concerning Hobbits» by Howard Shore (The Lord of the Rings: The Fellowship of the Ring)
01:01:50 «Ann and Gabriel» by John Williams (The Patriot)
01:05:40 «Message for the Queen» by Tyler Bates (300)
01:08:11 «Washing» by Harry Gregson-Williams (Kingdom of Heaven)
01:10:00 «One of the Dúnedain» by Howard Shore (The Lord of the Rings: The Two Towers)
James Gaffigan dirige lOrchestre national de France et le Choeur de Radio France dans le Requiem en ré mineur K.626 de Wolfgang Amadeus Mozart, avec la soprano Marita Solberg, la mezzo-soprano Karine Deshayes, le ténor Joseph Kaiser, et la basse Alexander Vinogradov. Concert enregistré le 29 juin 2017 en direct de la basilique de Saint-Denis dans le cadre du Festival de saint-Denis.
#Mozart #MozartRequiem #OrchestreNationalDeFrance
00:00 — Début du concert
01:19 — I. Introïtus
02:00 — Requiem
05:46 — II. Kyrie
08:13 — III. Sequentia. Dies Irae
10:09 — Tuba mirum
13:29 — Rex tremendae
15:31 — Recordare
20:27 — Confutatis
22:49 — Lacrimosa
25:52 — IV. Offertorium Domine Jesu Hostias
32:52 — V. Sanctus
34:30 — VI. Benedictus
38:52 — VII. Agnus Dei
41:45 — VIII. Communio — Lux Aeterna
A propos de l’œuvre:
Mozart croule sous les problèmes quand il entreprend l’écriture de son Requiem en 1791. Accablé par les dettes, le maestro viennois est aussi gravement malade. Pour ajouter à son malheur, sa musique ne séduit plus, la fréquentation de ses concerts diminue.
On ne compte plus les légendes qui entourent le contexte de création de l’œuvre. Mais parmi elles, une vérité se dessine. Le commanditaire de l’œuvre serait le comte von Walsegg, désireux d’obtenir une messe des morts pour célébrer le souvenir de son épouse, tout juste disparue. La demande est faite à Mozart de manière anonyme. Le comte souhaitait en effet se faire passer pour lauteur de l’œuvre, une supercherie dont il était familier!
Épuisé, Mozart s’éteint le 5 décembre 1791 à lâge de 35 ans. S’il a probablement composé entièrement les deux premières parties de l’œuvre, l’Introïtus et le Kyrie, le reste a été repris en main par l’un de ses élèves, Franz-Xaver Süssmayr, à partir d’esquisses plus ou moins détaillées.
Distribution:
Marita Solberg, soprano
Karine Deshayes, mezzo-soprano
Joseph Kaiser, ténor
Alexander Vinogradov, basse
Chœur de Radio France,
Nicolas Fink, chef de chœur
Orchestre National de France,
James Gaffigan, direction
A propos du compositeur Wolfgang Amadeus Mozart (1756 — 1791):
Wolfgang Amadeus Mozart est l’un des compositeurs les plus importants de l’histoire de la musique occidentale, et la figure majeure de la période du classicisme. Il fait partie avec Haydn et Beethoven de la « triade classique viennoise », incarnant l’un des trois maîtres dont l’influence a été la plus considérable sur les générations suivantes de compositeurs. Virtuose du clavecin et du violon, il connaît un succès précoce et une carrière fulgurante, en portant toutes les formes musicales existantes à un état d’accomplissement inégalé.